Mennonitenplaut (ooda de plautdietsche Dialektgrupp) woat enn Kanada, enne Stäts, Mexiko, Brasilien, Bolivien, Paraguay, Honduras, Belize, Argentinien von ruhm 300,000 Mennoniete jerät. Disse Zohl nemmt enn Dietschlaund too, wiels väle Mennoniete von Ruβlaund kaume nohdem de Sowjet­union utenaunda foll. Mennoniete jeheare too eene relijeese Grupp, woohne uasprinjlijch von Hollaund enn Belgien enne 1500’ Joahre flijchte, wiels see relijees vefoljt worde; mette Tiet muake see sich emm nadapraiβchem Ruhm emm Ooste tusig. Nohäa waundada väle Mennoniete noh Nuadamerika ut—besondasch noh Kanada enn noh dee Stäts—-enn noh Latienamerika—besondasch noh Paraguay enn Mexico—de measchte wohne oppem Laund, habe oba atelje spohnsche Weada enn ähre eajne Sproak oppjenohme.

Lé Jèrriais est la langue Nouormande dé Jèrri, la langue dé Wace et achteu d’Alice étout. Quand Alice êcoute la Souothis tchi pâle dé l’histouaithe dé Dgilliaume lé Contchérant, ch’est qu’Dgilliaume, not’ Duc, pâlait l’Nouormand, et qu’l’histouaithe des Ducs dé Nouormandie fut racontée en Nouormand par Wace. Et les Jèrriais tchi d’visent acouo dans not’ langue pouôrront liéthe les aventuthes d’Alice et y r’connaître lé bouôn vièr niolîn.

Whedhlow ha drollys a Gernow Goth yw viaj aberth i’n mystery henwhedhlow agan pow ny. I’n folednow-ma why a gav romauns ha pystry; anethow ha traitury; sens ha pehadoryon; gorwer ha tebelwesyon. I’n lyver-ma yma kewry meur aga mêstry ow qwandra i’n menydhyow; carrygy kevrînek ow chaunjya dhe dus vew ha tus cales aga fedn ow trailya de Sul dhe ven yeyn; yma drog-spyryjyon ow ledya tus wàr stray; knoukoryon darosvanus ow trobla an balyow; yma vertu a sawment in fentydnyow sans; ha morvoronyon, meur aga thenvos, ow qwil dhe dus dywith aga sewya aberth in morow Keltek. Nigel Robert re wrug desedha an hengof rych-ma a whedhlow hag a lien gweryn rag agan dedhyow ny ha’y dhasterivas sempel in form grafek spladn a wra plêsya pynag oll a garra delînyansow bryntyn ha whedhlow dâ..

Cornish Legend and Folklore is a journey into Cornwall's mythical past. Throughout these pages you will discover magical romantic tales of adventure and intrigue; saints and sinners; heroes and villains. Where tyrannical giants roam the hills; mysterious rocks come alive and obstinate people turn to stone on the sabbath; mischievous piskeys lead simple fools astray; ghostly knockers haunt the mines; holy wells have curative powers; and alluring mermaids entice their vulnerable victims into Celtic seas. Nigel Roberts has adapted and retold this rich tradition of legend and folklore into popular and colourful graphic narrative format for those of all ages who enjoy great art and story telling.

This buk is the furst translation o Alice’s Adventures in Wonderland intae Ulster Scots, a language that comes frae the Lowlans in Scotlan an thin wus brocht intae Norlin Airlan in the early 17th Century. Es it’s a dialect o Scots it haes close links wi standart Inglesh, but thur’s monie differences in baith grammer an vocabulary between the twa languages. The orthography used in this book’s based on the spellins that ir maistly used bae native taakers o Ulster Scots.

In the first of these two crime fiction tales, R.I.P. (Restless in Pieces), modern grave­-robbers steal the bones of Charles Dodgson (also known as Lewis Carroll), expecting to hold them for ransom. But they also dis­cover a rare first edition of Alice’s Adventures in Wonder­land as well as one of Dodgson’s missing Diaries in the casket. Inspector Ian Spectre of Scotland Yard is brought in to solve the case, assisted by none other than Dodgson’s ghost. The second tale, The Oxfordic Oracle, is set in Victorian Oxford. Inspector Spectre goes undercover to investigate numerous reported strange events during the meetings of the Oxford Phantasmalogical Society, where an actress prophesies under the influence of ethene gas escaping into the basement of the building. Charles Dodgson also makes a first time appearance at the Society meeting, which gets out of hand as too much ethene escapes and every­one begins to pro­phesy nonsense which becomes the inspiration for some of the famous poems in Carroll’s Sylvie and Bruno books.

Charles Lutwidge Dodgson, a.k.a Lewis Carroll, invented a special writing instrument he called “the Nyctograph” on 24 September 1891, in frustration at the process of “getting out of bed at 2 a.m. in a winter night, lighting a candle, and recording some happy thought which would probably be otherwise forgotten”. This edition of Alice's Adventures in Wonderland is written entirely in the author's unique night-time alphabet.

Watch out… the Beast is about! This new story for young readers is based on the mysterious legend of the Beast of Bodmin Moor. The acclaimed Cornish writer Alan M. Kent tells the charming tale of how a big cat came to wander the wild landscape of Cornwall. Filled with delight and wonder, this is a tale to enrich the imagination and stay long in the memory. The illustrations are by Gabrielle Cailes, an artist who knows Cornwall intimately. With wonderful spirit, colour, and energy, they capture the detail of the story and its thrilling sense of place. The story is presented bilingually with a vibrant modern translation into Cornish by Neil Kennedy.

Hōc in librō offertur lēctōrī nova ēditiō fābulae Alicia in Terrā Mīrābilī in Latīnum annō 1964ō ā Clive Harcourt Carruthers conversae. Differt ā prīmā ēditiōne duābus praecipuīs rēbus: cum quod discrīmen nunc servātur inter i litteram vōcālem et j litteram vim cōnsonantis habentem, tum quod omnēs vōcālēs longae sunt līneolīs superscrīptīs ōrnātae. Omnium vōcālium longitūdinēs dīligenter exquīsītae sunt, etiam in syllabīs positiōne longīs. In pauciōribus syllabīs, quārum vōcālium longitūdinēs aut nunc incertae sunt, aut manifestē etiam antīquīs temporibus vacillābant, vōcālēs sine līneolīs scrīptae sunt.

Róaž Wiðz (1882–1937), the locally-admired though otherwise little-known Zumorgian translator, spent seventeen years of his miserable life (when he wasn’t tending to his beloved goats) translating Lewis Carroll’s classic “Alice’s Adventures in Wonderland” into Zumorigénflit and transposing it into Ŋúǧian culture. Sadly, Ŋúǧ was swallowed up by the Soviet Union in 1947. For those interested in such esoteric things, Áloþk üjy Gígið Soagénličy was first published by the Itadabükan Press in the capital city of Sprutničovyurt in 1919. The city, which was mistakenly thought to be a German forward supply area, was literally flattened and burned to the ground by Royal Air Force saturation bombing in 1943, and all that remains of it are a few remnants of the ancient Palace’s foundations and a gigantic reinforced concrete statue of Joseph Stalin, whose face has been shattered by what was probably machine gun target practice. The original story has here been updated to modern times, as if this strange, harsh, and dangerous land still existed in the modern world. It doesn’t, except in my imagination and that of Mahendra Singh, whose heart swells with the Song of the Goat. -- Byron W. Sewell

Charles Dodgson had had a difficult day photographing young Victor Alexander Parnell, one of Queen Victoria's godsons. Dodgson wasn't at all certain of how either the boy's parents or the Queen would regard the photograph if he let them see it. The image showed a boy with the cold and calculating gaze of a gunman that one might encounter in a saloon in the American West. It had taken no fewer than six attempts to get this image of Alexander, and Dodgson was thoroughly exhausted. The boy had twitched and squinted, blinked and shifted, ruining one plate after another. The trip back to Oxford, with all of the heavy boxes of photographic equipment, had been the final strain of a long and tiring day. By the time he finally reached his rooms he was ready for a simple meal of bread, cheese and a small glass of claret, then immediately off to bed. He would unpack the boxes later in the week, when he had recovered a bit from the expedition. Dodgson pulled the heavy curtains of his rooms together without looking out of the windows onto the quadrangle. He was under the covers and asleep in less than five minutes. And this is what he dreamed...

This is the first translation of the entire Bible to be published in Cornish. The translator of the Cornish Bible is Professor Nicholas Williams, the foremost present-day translator into the language. The first draft of his translation was based on the original languages together with a collation of several other versions. Next the translation was reviewed by a number of competent Cornish speakers, whose comments helped improve the readability of the work. Thereafter the translator searched the Middle and Late Cornish texts—miracle plays, homilies, and portions of scripture—to find all those passages where native Cornish renderings could be used in the translation. Such passages by speakers of traditional Cornish have been incorporated throughout the Cornish Bible, and add to its authenticity. Wherever possible, personal and geographical names are those attested in traditional Cornish. The volume contains ten maps, in which all the place-names appear in Cornish form. An Beybel Sans is written in Standard Cornish.